{"id":4347,"date":"2025-02-26T00:00:03","date_gmt":"2025-02-26T05:00:03","guid":{"rendered":"https:\/\/ontheflipsidecomics.com\/?p=4347"},"modified":"2025-02-27T20:06:04","modified_gmt":"2025-02-28T01:06:04","slug":"art-tools","status":"publish","type":"post","link":"https:\/\/ontheflipsidecomics.com\/ja\/2025\/02\/26\/art-tools\/","title":{"rendered":"Art Tools"},"content":{"rendered":"\n

Hello! Are there any fellow artists out there? Either working on your craft or working professionally?<\/p>\n\n

Well, the one thing we all have in common is the search for that perfect tool. For some of us, that ‘perfect tool’ is not just 1 tool, but the one that is steady and reliable each time you get ready to make your mark(s).<\/p>\n\n

These are the ones I’ve used over the\u00a0last 20 years (crap, 20<\/em>??) and have proven very much worth-while\u00a0in my exploration of art. I must say though, these are not the end-all-be-all of tools. Find your way.\u00a0 Art is very much an exploration\u00a0of the kinds of marks you want to make. I am merely making suggestions. \ud83d\ude42<\/p>\n\n

Brushes<\/strong>.<\/p>\n\n

The Scharff series 3000 #2 or #3. You can get them here<\/a><\/strong>.\u00a0<\/p>\n\n

This is the brush I’ve used the most, it’s extremely reliable and gives you a great tip and a lot\u00a0of bounce. The only reason I don’t use them anymore is because they have doubled in price.<\/p>\n\n

The Raphael 8404 Kolinsky Sable #3. This s the one I use currently, they are great.<\/p>\n\n

The Windsor & Newton Series 2 #3.<\/p>\n\n

There are varying sizes with each brush, find the one that works for you. To each they’re own. \ud83d\ude42<\/p>\n\n

Quills\/Nibs<\/strong><\/p>\n\n

Hunt 102<\/p>\n\n

Gillott #659 as recommended by\u00a0@1JohnLivesay<\/a> over on Twitter.<\/p>\n\n

Markers<\/strong>.<\/p>\n\n

There are all kinds of markers out there today that do some pretty damn good work. In my time coming up (a LONG time ago) markers were frowned on because of their inferior ink and brush tips. Time and technology have changed. There are some damn fine markers out there to work with.<\/p>\n\n

Tombow Fudenosuke Brush Pens<\/a><\/strong>. There are 2. The Blue one and the Green one. The blue one is the hard tip. The green one is the soft tip. I used the crap out of the green ones when I was on Star Wars Doctor Aphra and they were a godsend. If you get a good green one you can get great brush-like lines out of them. The blue ones are great for technical work. Both are even better for very simple and effective dry-bush techniques, if that’s your thing. HIGHLY recommended.<\/p>\n\n

Uni Pin Pen Brush<\/a><\/strong>. This is a wonderful marker that gives you very thing, almost real brush like lines for feathering.<\/p>\n\n

Kuretake\u00a0Disposable Pocket Brush Pen<\/a><\/strong> – Extra Fine. Almost as good as the Uni Pin. Almost. Still a good marker brush brush though, especially for sketches of all kinds.<\/p>\n\n

Copic Multiliners<\/a> of varying size.\u00a0 I use the .1, .005, .003.<\/p>\n\n

Faber-Castell<\/a> S and XS. The smallest tips they make.\u00a0 Great for small dry lines.<\/p>\n\n

Rapidograph Tech Pens<\/strong>.<\/p>\n\n

Sizes .13, .25, .50, and .80 or more for panel\u00a0borders.<\/p>\n\n

These were the first things I ever inked with. I was very wrong to do so, but, nonetheless, they were first. These are increasingly hard to find and expensive. Not to mention very difficult to maintain as they require a lot of cleaning. Once they get clogged up they are useless. They have lots of uses, still but they only offer a very dead flat line. Which is great for tech work, buildings, cars, you get the idea. But they offer very little in the way of an organic flowing line. Still useful if you need them and can afford them.<\/p>\n\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"house\t\t\t\t\t\t\t\t<\/a>\n\t\t

Ink<\/strong><\/p>\n

<\/p>\n

I use the Koh-I-Noor Ultradraw\/Universal waterproof ink. There are plenty others out there but this has been the best I’ve ever used.<\/p>\n

<\/p>\n

Paper<\/strong>.<\/p>\n

<\/p>\n

This is where the chemistry experiment comes into play. I say that because it took a long time to find the right type of paper that I liked and that worked with the ink that I use as well. Long gone are the days when the publishers would provide you with the paper you needed. Now it’s up to you to choose. My paper of choice when I was doing monthly\u00a0books was the Strathmore 500 Sequential\u00a0Series Bristol 11×17, semi-smooth<\/a><\/strong>. (The one with the mock superhero on the cover) It offers just enough grit on the page for the ink to dry quickly as well as help my brush with my occasional dry-brush work that I do.<\/p>\n

<\/p>\n

Eon Paper Products is actually a great resource for comic making as well, because they sell their own ink and other products, so as to make it almost a 1 stop shop.<\/p>\n

<\/p>\n

\nhttps:\/\/www.eonprod.com\/<\/a><\/strong>\n<\/figure>\n

<\/p>\n

My paper of choice now, is the Fabriano Artistico Watercolor<\/a><\/strong> block at 14×20, traditional white. It’s a much larger paper but very sturdy. It can take a lot when you’re working with it, and by a lot I mean watercolors, digging into it with nibs, all sorts of stuff.\u00a0 It’s really great and well worth the money.\u00a0<\/p>\n

<\/p>\n

That’s it for now.\u00a0 My next posting for tools will probably be about the digital side of things.\u00a0<\/p>\n

<\/p>\n

Below are my best recommendations for online art stores to get your supplies from.\u00a0\u00a0<\/p>\n

<\/p>\n

Enjoy!<\/p>\n

<\/p>\n

https:\/\/www.cheapjoes.com\/<\/a><\/strong><\/p>\n

<\/strong><\/p>\n

http:\/\/joesartarama.com\/<\/a><\/strong><\/p>\n

<\/strong><\/p>\n

https:\/\/www.dickblick.com\/<\/a><\/strong><\/p>\n

<\/strong><\/p>\n

https:\/\/www.misterart.com\/<\/a><\/strong><\/p>\n

<\/strong><\/p>\n

https:\/\/www.jetpens.com\/<\/a><\/strong><\/p>","protected":false},"excerpt":{"rendered":"

Hello! Are there any fellow artists out there? Either working on your craft or working professionally? Well, t […]<\/p>\n","protected":false},"author":4,"featured_media":8206,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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