{"id":28007,"date":"2026-03-11T00:00:00","date_gmt":"2026-03-11T04:00:00","guid":{"rendered":"https:\/\/ontheflipsidecomics.com\/en\/?p=28007"},"modified":"2026-03-04T11:09:52","modified_gmt":"2026-03-04T16:09:52","slug":"featured-artist-cam-kennedy","status":"publish","type":"post","link":"https:\/\/ontheflipsidecomics.com\/ko\/2026\/03\/11\/featured-artist-cam-kennedy\/","title":{"rendered":"FEATURED ARTIST CAM Kennedy"},"content":{"rendered":"\t\t
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Cam Kennedy began working in commercial art in his hometown of\u00a0Glasgow. Kennedy then went freelance and worked as an illustrator on\u00a0D.C. Thomson’s\u00a0Commando<\/em>, a British war comic, between 1967 and 1972, before leaving comics altogether to become a professional fine artist. Kennedy’s work has been described as gritty, energetic, chunky and raw.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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In 1978 he was lured back to comics again, beginning by drawing the\u00a0Fighting Mann<\/em>\u00a0(1980-81) strip for\u00a0Fleetway\u00a0Publications’\u00a0Battle<\/em>\u00a0comic. (I have a page from that \ud83d\ude09)As\u00a0Battle<\/em>\u00a0began to wind down, Kennedy moved across to its stablemate, the weekly science fiction anthology\u00a02000 AD<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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Kennedy was instrumental in several strips that continue to this day, including\u00a0The V.C.s<\/em>\u00a0(written by\u00a0Gerry Finley-Day,\u00a0Judge Dredd<\/em>\u00a0(with\u00a0John Wagner<\/a>\u00a0and\u00a0Alan Grant<\/a>, including the “Midnight Surfer” story which reintroduced\u00a0Chopper) and\u00a0Rogue Trooper<\/em>\u00a0(again with Finley-Day). His association with the comic, which is largely produced by fellow Scotsmen, has never faltered. In 2005, Kennedy designed and produced a brand new strip,\u00a0Zancudo<\/em>, written by\u00a0Simon Spurrier\u00a0for the\u00a0Judge Dredd Megazine<\/em>, and Wagner has written three stories about character\u00a0Kenny Who?, an alter-ego for Kennedy, based on his early problems getting work at American companies (as well as making jokes on issues like creator’s rights and censorship).<\/p>

In America, Kennedy established a working relationship with writer\u00a0Tom Veitch, producing the\u00a0creator-owned\u00a0Vietnam War-inspired\u00a0science fantasy\u00a0miniseries\u00a0The Light and Darkness War<\/em>\u00a0for\u00a0Marvel Comics’\u00a0Epic\u00a0imprint. This led to the pair working on a\u00a0newly launched Star Wars<\/em> expansion,\u00a0Dark Empire<\/em>, for\u00a0Dark Horse Comics. Which took place after Return of the Jedi, and the first stories to do so. Kennedy has worked on other\u00a0Star Wars<\/em>\u00a0licensed comics, including an amazing run of\u00a0Boba Fett\u00a0stories with writer John Wagner. For\u00a0DC Comics\u00a0Kennedy has worked on\u00a0Lobo<\/em>,\u00a0Batman<\/em>,\u00a0Outcasts<\/em>\u00a0and\u00a0The Spectre<\/em>. For Marvel, he has illustrated the\u00a0Punisher<\/em>,\u00a0Daredevil<\/em>\u00a0and\u00a0Nick Fury, Agent of S.H.I.E.L.D.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

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FLIPSIDE COMICS Recommends<\/a><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Judge Dredd: The Complete Cam Kennedy<\/a><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Clash of the Guards<\/a><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Rogue Trooper vol. 1<\/a><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Picture12Picture8Picture9Picture10Picture13Picture14Picture15Picture16Picture17Picture18Picture19Picture20Picture21Picture22Picture23Picture24Picture25Picture26image-dd383661image-09105fd7<\/p>\n","protected":false},"author":4,"featured_media":28008,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_theme","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"fifu_image_url":"","fifu_image_alt":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[62,65],"tags":[],"class_list":["post-28007","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-artist","category-font-page"],"yoast_head":"\nFEATURED ARTIST CAM Kennedy<\/title>\n<meta name=\"description\" content=\"Cam Kennedy began working in commercial art in his hometown of Glasgow. Kennedy then went freelance and worked as an illustrator on D.C. Thomson's Commando, a British war comic, between 1967 and 1972, before leaving comics altogether to become a professional fine artist. Kennedy's work has been described as gritty, energetic, chunky and raw.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ontheflipsidecomics.com\/ko\/2026\/03\/11\/featured-artist-cam-kennedy\/\" \/>\n<meta property=\"og:locale\" content=\"ko_KR\" \/>\n<meta property=\"og:locale:alternate\" content=\"en_US\" \/>\n<meta property=\"og:locale:alternate\" content=\"ar\" \/>\n<meta property=\"og:locale:alternate\" content=\"de_DE\" \/>\n<meta property=\"og:locale:alternate\" content=\"es_MX\" \/>\n<meta property=\"og:locale:alternate\" content=\"fr_FR\" \/>\n<meta property=\"og:locale:alternate\" content=\"it_IT\" \/>\n<meta property=\"og:locale:alternate\" content=\"ja\" \/>\n<meta property=\"og:locale:alternate\" content=\"nl_NL\" \/>\n<meta property=\"og:locale:alternate\" content=\"pt_BR\" \/>\n<meta property=\"og:locale:alternate\" content=\"zh_CN\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FEATURED ARTIST CAM Kennedy\" \/>\n<meta property=\"og:description\" content=\"Cam Kennedy began working in commercial art in his hometown of Glasgow. Kennedy then went freelance and worked as an illustrator on D.C. Thomson's Commando, a British war comic, between 1967 and 1972, before leaving comics altogether to become a professional fine artist. 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