{"id":19842,"date":"2024-10-04T00:00:00","date_gmt":"2024-10-04T04:00:00","guid":{"rendered":"https:\/\/ontheflipsidecomics.com\/?p=19842"},"modified":"2025-02-26T19:14:32","modified_gmt":"2025-02-27T00:14:32","slug":"featured-artist-ross-andru","status":"publish","type":"post","link":"https:\/\/ontheflipsidecomics.com\/zh\/2024\/10\/04\/featured-artist-ross-andru\/","title":{"rendered":"FEATURED ARTIST – Ross Andru"},"content":{"rendered":"\t\t
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ROSS ANDRU 
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\u00a0My favorite comicbook artist of all time is John Romita Sr. Has been since the day I first saw his work. I must have been 4 or 5 at the time. I lived with my grandparents, you see, and their youngest son, my uncle, had stacks of AMAZING SPIDER-MAN and MARVEL TALES comics around the house.<\/p>\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 So telling you how much I admire John Romita\u2019s work \u2026 is kind of a strange way to start discussing my love for the work of Ross Andru, eh? But here we are. First off, don\u2019t worry. Future me is already working on an essay detailing my love of Jazzy Johnny Romita\u2019s work. It\u2019s going to be approximately 57 chapters long.<\/p>\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 But today we\u2019re talking about Ross Andru, and specifically, his work on Spider-man \u2026 and how amazing it is that he stepped into Romita\u2019s shoes and left a legacy all his own.<\/p>\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Born Rostislav<\/strong> Androuchkevitch <\/strong>on June 5, 1927, Ross started working in comics in 1948, assisting Burne Hogarth on the TARZAN comic strip, and eventually ended up at DC with longtime friend and inker Mike Esposito in 1953, working on DC\u2019s war comics. In 1959, Ross began a nine-year run on Wonder Woman, and from there worked on a huge variety of titles\u2026<\/p>\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 It would have been a pretty strong career even if Ross had never done any work on a certain wall-crawler.<\/p>\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 But in the early 70\u2019s, Ross headed to Marvel Comics. He did some work on THE DEFENDERS and on MARVEL TEAM-UP (featuring Spidey.) And then in 1973 he took over as the primary artist on THE AMAZING SPIDER-MAN. He would be the artist on the series for five years, lending some stability to a series that had been trying to settle on a replacement for Romita for awhile. John Buscema, Gil Kane, Don Heck \u2026 some really talented artists had taken the reigns after Romita, and often (like with Kane) Romita actually still came in to lend his finishes to the books. But Romita was being pulled in a ton of different directions at once, working on covers, promotional material, art corrections \u2026 there\u2019s only so much Romita to go around.<\/p>\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 But then Ross Andru stepped in with Amazing Spider-Man #125, the second half of a two-parter called \u201cWolf Hunt.\u201d<\/p>\n\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 You know how I first read this comic? As part of a Power Records reprint. A comic that came with a record, with Stan Lee reading the book to me. Issues #124 and #125 were combined in this book, so I didn\u2019t know for years that this was actually a two-part story. All I knew is that it had a record with narration by Stan \u201cThe Man\u201d Lee, Spidey, a werewolf (A WEREWOLF! Even as a little kid who was easily terrified I loved monsters ESPECIALLY WEREWOLVES) and some GREAT art.\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Looking back on this thing now, it\u2019s such a wild hodge-podge of art. And I mean that in a good way. The first half of this, you have those great Gil Kane camera angles, the wildly contorted anatomy, and then the Romita finishes, which lend a polish and emotional depth Kane would sometimes lack under other inkers. Then you get to the second half of the book, and Ross is doing his OWN take on Spidey\u2019s movement through the city, those fight scenes \u2026 and then still, some beautiful inking by Romita and Tony Mortellero bringing it all in line with the \u2018look\u2019 of the series.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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I love the acting by Andru\u2019s characters here. Sure, it\u2019s \u201cMarvel Style,\u201d exaggerated, over the top in places \u2026 but it fits the dialogue, the story \u2026 the world. To my four-year-old eyes, THIS is what the Marvel Universe was. Some really nice camera choices made as this issue wraps up, too.<\/p>\n

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Now \u2026 as much as I\u2019d like to, I don\u2019t think I should go through every single issue of Ross\u2019 run. (But man, I\u2019d like to.)<\/p>\n

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But how about issue #129..? That Punisher guy looks familiar, eh? Man, I generally can\u2019t stand the Punisher nowadays. Just can\u2019t. But back then? When he was a foil for characters like Spidey..? Oh yeah. And the JACKAL! I was fascinated by the Jackal. Keep this in mind\u2026<\/p>\n

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After that, we \u2026 well, we get to the Spider-Mobile. Yeah. I know. One of the dumbest ideas ever. But you could argue that the fun Conway and Andru had with the stupidity of it, the way they leaned into the whole thing \u2026 made it work? I dunno. As a kid, and still, as a supposed adult, I think it\u2019s kind of awesome. And look at that fight with Hammerhead!<\/p>\n

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Of course, that leads us to \u2026 the Doc Ock and Aunt May wedding.<\/p>\n

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Uh.<\/figure>\n

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Hey, look at this art.<\/p>\n

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Okay, sure \u2026 as much as I loved Gerry Conway\u2019s Spidey run (seriously, I love this stuff) I\u2019m not gonna argue that they\u2019re all winners.<\/p>\n

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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anyway, Ross actually takes an issue off after this, but then returns for #133, the second part of a Molten Man story. It\u2019s a fun story, and I like the payoff, the final bits with Molten Man. But the next issue, we get to a Tarantula story, and this is another one where Ross is inked by Frank Giacoia (along with Dave Hunt.) And lemme tell you, I really dig Giacoia\u2019s inks.<\/p>\n

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\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 But this ish has one of my favorite Andru splash pages \u2026 I love the depth and movement here.<\/p>\n

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Aaaaand \u2026 further, MJ\u2019s face. With that dialogue. Nailed it.<\/p>\n

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Later in the issue, we get a great bit of acting from J Jonah Jameson (along with a great (pre) villain shot of Harry at the top of the page, as he discovers Pete\u2019s secret.<\/figure>\n

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So much good stuff. But let\u2019s peek ahead to #136 \u2026 you know, you can set a story in New York and never draw this kind of stuff. But it\u2019s a theme throughout Ross\u2019 run on Spider-Man \u2026 you always, always have such a great sense of time and place. I\u2019ve read stories that Ross would have his wife drop him off so he could sketch the power plant he planned to draw in the current issue he was working on. Then she\u2019d drive around the block, each time asking if he was ready to be picked up. I don\u2019t doubt it. My guess is that the man did that sort of thing \u2026 often.<\/p>\n

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Now look at this page, from #137. The tension, as Spidey waits to see if the bomb is gonna blow. If it doesn\u2019t, then his poor guess has killed either Flash or MJ. The tension \u2026 the tension \u2026 and the relief. What a great combination of choices went into this page! Love the beats with the bomb splashing into the water, shot of Spidey, ripples (but no explosion) in the water, then closer on Spidey \u2026 and finally, boom the relief. Love it.<\/p>\n

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Alright, just so Marc doesn\u2019t accuse me of going through EVERY issue and writing the longest essay ever, let\u2019s skip ahead to issue #139. Now \u2026 I can\u2019t lie. This is where I went from enjoying Gerry Conway\u2019s Spidey run to losing my mind over it. I still look at these comics and just feel a hard clench in my chest. I love this stuff. Gerry is really rolling, and for my money, this is the best stretch of Ross Andru\u2019s run on AMAZING SPIDER-MAN.<\/p>\n

Let\u2019s be real. The Grizzly \u2026 a former wrestler, now a guy who \u2026 dresses up as a bear \u2026 is a second rate bad guy. At best. And yet \u2026 he\u2019s perfect here. He just shows up out of the blue, towering over everyone, and oh yeah, he\u2019s working for the mysterious Jackal!<\/p>\n

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Also \u2026 again, Spidey lives in New York. He\u2019s always clearly in New York. You don\u2019t have to draw all this stuff. It\u2019s just a small panel, and Spidey is barely visible. But here\u2019s Ross Andru, crushing it.<\/p>\n

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Okay, I\u2019m sure you know \u2026 Spidey eventually survived the menace of the Grizzly. Let\u2019s get on to issue #141 \u2026 and Mysterio. But first, this sequence (look, it\u2019s me in college\u2026)<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Oh, and this bit.<\/figure>\n

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NOW we\u2019re to Mysterio. And look, just check out the page. It\u2019s all there. And then a couple of pages later, Spidey\u2019s defeat…\u00a0 \u00a0 \u00a0\u00a0<\/p>\n

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And we\u2019ll keep going into #142 for this sequence that I love dearly.<\/p>\n

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Eventually, Spidey takes down this wanna-be Mysterio, of course\u2026<\/p>\n

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On to #143, where Pete has to accompany Robbie Robertson to Paris. Yeah, you know Ross is gonna nail that just like he always nails New York. But before they get there, one of my favorite bits in any Spidey comic. First, dig Robbie smiling over his shoulder. Ah, young love, he thinks. Second \u2026 just the slight visual bit, where Pete and MJ are breaking the panel borders, really gets across the idea that with this kiss, the two of them are in their own world, now. Everything else going on around them is just background noise.<\/p>\n

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Now look at the next two pages. Man, back then especially, pages were critical. .Pages were for moving the story forward. And yet Gerry and Ross understand how important this is. They give the characters time to react, to breathe. They let that camera sit for a minute. And then the plane takes off, everything is quiet, and Pete and MJ are alone with their thoughts and feelings about what just happened. It\u2019s goddamn great storytelling, that\u2019s what this is. Even as a kid, I kept going back to this scene over and over, trying to figure out why it landed so well. And the answer is that there are so many great choices made here, how could it NOT land well..?<\/p>\n

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Okay \u2026 I gotta get back to my drawing table. We\u2019ll continue this in Paris in part two, and from there we\u2019ll get some clones and the end of Gerry\u2019s run on the web-head. Maybe I can even wrap this up in two parts\u2026 \ud83d\ude42<\/p>\n

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ROSS ANDRU Recommendations<\/a><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\"Spiderman\"\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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AMAZING SPIDER-MAN EPIC COLLECTION: MAN-WOLF AT MIDNIGHT<\/a><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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AMAZING SPIDER-MAN EPIC COLLECTION: SPIDER-MAN OR SPIDER-CLONE? <\/a><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Wonder Woman 1: The Silver Age Omnibus<\/a><\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

ROSS ANDRU Part 1 \u00a0My favorite comicbook artist of […]<\/p>\n","protected":false},"author":476,"featured_media":19844,"comment_status":"closed","ping_status":"open","sticky":false,"template":"elementor_theme","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center 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center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"fifu_image_url":"","fifu_image_alt":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[62],"tags":[],"class_list":["post-19842","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured-artist"],"yoast_head":"\nFEATURED ARTIST - Ross Andru<\/title>\n<meta name=\"description\" content=\"Excerpt\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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